Yiting Wang (aka Nawmel/VT.inno/閙) is a sound artist, laptop improviser, and intermedia lover with a focus on Digital Sound Synthesis, Interdisciplinary Collaboration, Wearable Electronics, and Interactive Performance.

Before 2023, Nawmel was deeply influenced by Hangzhou’s inclusive artistic community and the local underground dance music scene. Her releases include When I Grow Up EP, Plastic Waste From The Airplane, URhere Fantasy What (2021), Untitled Nite EP (Pinecone Moonshine, 2022), The Invisible Man Won't Cross the Street Alone (VT.inno Remix) (From 22 to 6, 2023), and The Sound Doesn't Belong to Me (Piano Improvisation) (2023), self-released under 閙. These works focus on experimental, noise, and narrative elements. Her unreleased album 人们需要信仰 People Need Belief delves into narrative and destruction, while the EP 1994-2024 阿可 Encore incorporates field recordings from her hometown, Taizhou. Nawmel’s highly personalized, fragmented improvisational style challenges reliance on cold machinery and post-production adjustments, emphasizing immediacy in sound creation.

Her interdisciplinary practice began in 2021 as a sound designer and audio engineer for The Prisons We Choose to Live Outside, an experimental theater performance addressing violence, exclusion, and oppression faced by women in the contexts of the climate crisis, daily life, war, and the internet. The work integrated movement, installation, dance, music, calligraphy, poetry, video, and interaction. Currently, she is collaborating with the Peabody Dance Department on a five-month interdisciplinary project using motion-tracking technology and real-time synthesized sound to explore body movement through the Double Skin/Double Mind method and Sound Synthesis Art. This project examines "intention and inner movement," adapting choreography, motion tracking, and sound synthesis processes.

Recently, she completed The Real-time Symbiosis of Automatic and Voluntary Breathing and Musical Technology, reflecting on post-pandemic respiratory health through wearable sensors, real-time signal processing, and digital sound synthesis. The project raises awareness of breathing health and abnormal patterns. A variant, Breathing through Controller + Stereo Resonator, was performed on Nov. 1 at the VVaves Concert, Peabody Institute. She plans to expand this research into future interdisciplinary projects combining art, technology, and science to create immersive sensory experiences.

Yiting earned a BA in Musicology from Zhejiang Conservatory of Music in 2017, where she developed the concepts of “Perception as Composition” and “Environment as Subject.” She is pursuing an MM in Computer Music at the Peabody Institute of Johns Hopkins University (2025) under Lyn Goeringer, Sam Pluta, and Bryan Jacobs.

Yiting is dedicated to exploring new knowledge and technologies, strengthening her interdisciplinary focus while integrating artistic perspectives. She values real-time processes and audience feedback, using them to refine her artistic practice. Deeply connected to nature and humanity, she employs art as a bridge between abstract ideas and real-life experiences, creating sound art and intermedia that resonate emotionally and convey profound concepts.